Dyslexia week was in October, when this story was supposed to run, but take too much work, add a little kitten and set against a background of all the news in the world, and things get forgotten.

Luckily, the KOBI app isn’t a time limited offer, but a full made in Slovenia tool to help children with reading difficulties. Intended for those aged 6 to 12, it provides an essential suite of tools, including the proven technique of coloured letters,  to help poor readers (re)gain confidence and independence, and learn to love the worlds opened up by books. 

We got in touch with the team behind KOBI, and they were kind enough to answer our questions

What problem does the app address?

Reading is still the foundation of learning and everyday communication. Many intelligent children with reading difficulties fail to acquire sufficient reading  fluency to succeed academically and even have problems in everyday life. Research has shown that a lot of psychological issues in children and even a large portion of minor suicides stem in learning difficulties. Moreover, when a child is not learning to read as expected this oftentimes becomes a source of conflict between the parents and the school, which leads to an even more stressful environment for the child.

Our clients are thus parents of children with moderate to severe reading problems between the ages of 6 to 12. The school system requires parents to read with their child, but does not direct them how best to do this.

And here we should not that we’re talking about children who don’t like to read. Reading is painful for them. Even short sessions often end with anger, stubbornness and tears. Their parents are looking for ways to motivate and make reading easier. There is still a stigma attached to the problem of learning to read, which is why parents and schools often wait until problems become intolerable. 

In contrast, we’re positioned in the “early aid” segment. Our solution does not require any diagnostics because it supports the learning process as it happens with all children. It therefore closes the gap between the first signs of problems and the conclusion of a typically long lasting diagnostic process.

Learning to read is a tough job. It requires a lot of repetition, training and patience. We believe that parents and educators must work hand in hand to support a child as long as it is necessary to gain this skill of life-long importance. And as any skill you only master it by doing it. 

KOBI is focusing on reading connected text, which is a crucial part of the learning to read. Many parents cannot afford to hire a professional tutor and thus they are challenged to become reading tutors themselves. They need evidence-based, easy to use, efficient solutions, that can be adopted to any reading curriculum.

So how does KOBI it work?

KOBI is a mobile app. You install it on your phone or preferably tablet. You can pick a book from our growing library or simple take pictures of a book you have at hand. Then you let your child choose modifications of the text. The main feature of  KOBI are the “coloured letters”. 

By giving a certain colour to a letter or letter combination the brain receives additional sensory input that helps the child with some specific issues. For example, one of the things kids struggle with are so-called letter reversals. They mix up similar shapes such as b/d/p/q, u/n, e/a. However, with colours the brain can very quickly learn that a b is red, so the problem is solved. Since letter reversals are a developmental issue it will disappear with time, but in the meantime the use of colour will prevent a lot of frustration, and help the child to read more fluently.

KOBI also has tools such as focus frame and word-to-speech, and it tracks the reading practice. All these tools together help the child and keep them motivated, so they continue to improve

What special features does it have compared to the competition?

Overall, the key advantage of KOBI is its mix of functionalities and the fact that it can be used to support any school curriculum. Selective colouring of letters is one of the unique features, and while the interface is in four languages – English, Slovene, Spanish and Dutch – but you can import books in any western language. The interface that’s used by the child is completely icon-based, and can be easily operated by a seven year old.

How is it being used in the real world?

In Slovenia KOBI has already been widely adopted  by special education teachers and, of course, parents. Abroad it’s mainly used in a home setting to help with reading practice, required reading materials or simply to adjust any materials that the child would like to read but the print is not suitable. The letters are too small, for example.

What feedback have you had from users?

Users tell us that KOBI is a game changer for children who struggle with letter reversals, as well as lack of motivation for reading. Parents get very emotional when they see that their child can not only suddenly read, but wants to read. Still, the secret of success here is perseverance and grit. Learning to read requires a lot of practice, especially for kids, even with the support of technology.

Who works at the company?

There are four cofounders. Andrej Peršolja, with a background in journalism and who is responsible for content and growth, Marko Fornazarič, our all-round developer, Auke Touwslager, designer and visionary, and Ursula Lavrenčič, a designer who five years ago took a deep dive into the pedagogics of reading.

What's next for KOBI?

We have many goals ahead. We are working on the next big update of the product, putting in everything we have learned. We are fine-tuning the business model and target number one is to get a foothold in English-speaking markets. Our mission is to build a product that will be in the toolkit of every family of a child who struggles with learning to read, and to help them become enthusiastic, independent readers.

You can find out more about the app, and download it for Apple or Android devices, here, with the website offered in English, Slovenian, Spanish and Dutch. You can also follow the project on Facebook

STA, 26 October 2020 - The Stigma safe house for women users of illicit drugs marked its 10th anniversary this year. Neva Faninger and Sabina Zorec, social workers working at the house, have told the STA that the facility is a shelter for women who have fallen through the cracks in the social system.

The safe house was set up by the Ljubljana-based Stigma association, which aims to mitigate damage done by drug use. The shelter strives to be something similar to a home where women can put life on the street behind them.

It is one of the few such facilities in the world, and the only one in Slovenia, that does not expect its residents to be completely drug-free when they enter the programme.

The organisation however endeavours to keep the house as drug-free as possible. In the facility and its surrounding area drug use is banned, said Zorec and Faninger. Any illicit drugs brought to the house have to be put away and placed in special lockers.

The association came up with the idea for the shelter having seen how many women who were caught in a vicious circle of drug use and violence had nowhere safe to go, most notably released women prisoners. Their families were often a source of problems and did not provide a safe space.

Stigma stepped in and has since housed women with various stories, including those who do not have a drug problem but have ended up in a situation where the house was their only option.

"The system is rigid, everyone has their own fief and wants specific users, whereas people are complex," said Zorec, calling for a more flexible approach that would acknowledge people's different stories and needs.

"Recently, we admitted a girl who just turned 18. The moment she came of age, she arrived at the house from a youth crisis centre. She does not have an acute drug problem, but her only options were the safe house or the streets," said Zorec, noting that the shelter does not admit minors.

The average age of the residents is 37. Aside from drug use, homelessness and experiences of street or domestic violence, one thing they usually have in common is trauma. They were often either victims of child abuse or sexual abuse later in life. Lack of education and mental disorders are also frequent characteristics of the residents.

"A behavioural disorder label is considered a consequence of drug use, although it is often the other way around," said Zorec.

"They make up for that as much as they want and can in the house," said Faninger, adding that education is the best way out of the vicious circle, even though for many it is also the most difficult path. Residing in the house can be a stepping stone for shelter programmes that require complete abstinence though.

Women may stay at the house for a year and a half with the possibility of extension. Since 2016 the organisation also has two support flats of the Ljubljana housing fund at its disposal for residents who have achieved a certain level of stability.

Zorec and Faninger have noted certain changes during the past ten years; there are more young residents who are barely adults and new psychoactive substances have emerged. Ten years ago, heroin was the drug of choice, now anything that is available counts as long as it serves the purpose of escaping reality.

"Drugs are a way of survival for them, they mitigate struggles that usually stem from childhood," said Faninger.

The facility can admit up to eight women, however the number has recently been reduced to seven since one room has been turned into a potential quarantine space in the event one of the residents is infected with the coronavirus.

Due to the shelter's high hygienic standards, there has been little need to additionally ramp up disinfection efforts since the outbreak, said Faninger.

The safe house hosts workshops and endeavours to get its residents involved in volunteering or to find them work. The staff accompanies and supports them during doctor visits, court hearings or when maintaining contact with their children.

Seven persons are employed at the 24-hour shelter, including three men, which has turned out to be a positive feature. Women can thus see that not all men are perpetrators of violence. The staff members are of different educational backgrounds, ranging from social workers and graduates in comparative literature to engineers.

Discrimination and a social stigma are common features experienced by the residents. Even the staff are often a target of discrimination, especially when they accompany or assist the women in the outside world, said Faninger, adding that prejudices are present among experts as well.

Marking the 10th anniversary, the organisation decided to release a publication by the residents to present the project and show that there are positive aspects, opportunities to change for the better.

You can learn more about Stigma at the group’s website

STA, 19 October 2020 - Slovenian writer Goran Vojnović has received the Angelus Central European Literary Prize, conferred to works by Central European writers translated into the Polish, for his 2013 novel Yugoslavia, My Fatherland (Jugoslavija, moja dežela).

The annual award is conferred by the Polish city of Wroclaw to writers who take up the most important topics for the present day. It comes with a cheque for 150,000 Polish zloty (roughly EUR 33,000). The translator, Joanna Pomorska, received a 20,000 zloty (EUR 4,400) cheque.

According to the portal Polish News, the jury short-listed seven titles out of 105 entries for the final stage of the award.

The chairman of the jury, Mykola Riabczuk, emphasised that the books that made it to the final selection were "very Central European".

He said each of them had a history that continues. The jury ended up deciding between two books that were both about war and voted four to three for Yugoslavia, My Fatherland.

Vojnović, who attended Saturday's ceremony via video call, said Angelus was "undoubtedly the most important recognition I have ever received."

He noted that past laureates and this year's nominees were among authors whose avid reader he is. "Just being in their company has been an exceptional honour."

The novel talks about a young man searching for his father, who turns out to be a war criminal.

It received the Kresnik Prize for best Slovenian novel in 2013.

Interview with Goran Vojnović: Writer & Filmmaker, Gateway to Contemporary Slovenian Culture

STA, 8 October 2020 - Two years after the end of World War I, a Slovenian minority would end up on the other side of the Karawanks following a plebiscite in Carinthia that determined the border between Austria and the Kingdom of Serbs, Croats and Slovenes. While the outcome of the vote was the product of several factors, what followed was a period of revanchism.

The plebiscite was held on 10 October 1920 under the provisions of the Treaty of Saint-Germain, signed a year earlier by the allied powers that won World War I on the one hand and the Republic of German-Austria on the other.

While parts of Carinthia now in Slovenia (Meža Valley and Jezersko) were to be incorporated into the Kingdom of Serbs, Croats and Slovenes, the fate of southern Carinthia down to the Klagenfurt basin was to be determined by a plebiscite, under the principle of self-determination championed by US President Woodrow Wilson.

Before the vote, the Klagenfurt basin was divided into two zones; Zone A in the south with a predominately Slovenian speaking population and the smaller Zone B, which comprised Klagenfurt and its surroundings. Zone B was to hold a referendum only if a majority of voters in Zone A would have opted for what had already at the time been known as Yugoslavia.

However, with the turnout at almost 96%, 22,025 ballots or 59.04% of the vote cast was in favour of Austria, against 15,279 or 40.96%, who opted for Yugoslavia.

In their 2003 textbook, historians Dušan Nećak and Božo Repe estimate that at least 10,000 Carinthian Slovenes voted in favour of Austria, while some historians estimate a majority of the Slovens eligible to vote opted for Austria.

Despite having posted military victories ahead of the plebiscite, the Slovene side suffered a diplomatic defeat at the Paris peace conference and another one at the ballot box.

A mix of factors and interests decided the outcome

Historian Andrej Rahten, a former Slovenian ambassador to Austria, says that several factors were at play in the outcome of the plebiscite, however the battle for Carinthia had already been lost during the Habsburg monarchy.

"Even before World War I, Slovenians in Carinthia saw an adverse demographic trend, going from one quarter of Carinthia's population in the 1900 census by speaking language, which was biased methodologically, to a good fifth in 1910, and then, in the first post-plebiscite census in 1923, to one tenth."

Rahten, talking with the Slovenian and Austrian press agencies, STA and APA, in a joint interview, says the key role in the decision for the plebiscite was played by US President Thomas Woodrow Wilson.

If it had not been for France's support of Yugoslavia, the demarcation would have been even more harmful for Slovenians, he says; if you asked the Americans, they would have assigned Carinthia north of the Karawanks to Austria even without a plebiscite.

This was because of the belief that Austria, which had to accept secessions of some other border territories with practically no referendum rights, should be given some territorial concession lest it should become part of some great Germany.

Rahten believes the plebiscite result would have been very different had it not been for the Karawanks mountain range, which represented not only a physical but also a psychological barrier.

"The decisive element was economic reasons"; for centuries Klagenfurt and Villach had been traditional markets for Carinthian farmers, while now they were supposed to be replaced by Ljubljana.

Similarly, British historian Robert Knight offers economic interests as one possible explanation why Slovenians opted for Austria, along with the appeal, or lack thereof, of Yugoslavia with respect to Catholicism or the monarchy.

The Austrian propaganda played an important role; it emphasised economic benefits of the undivided Klagenfurt basin, regional identity, links between Slovenian- and German-speaking inhabitants and the cultural differences between Catholic Austria and Orthodox Serbia as the leading nation in Yugoslavia.

Historian Tamara Griesser-Pečar, in one of her articles, also notes the significance of the Carinthian Slovenians' attachment to their land, as well as social, economic, religious and political reasons and their bad experiences with the Yugoslav authorities.

The results by municipality. Paasikivi CC-by-SA-4.0

After plebiscite, broken promises and revanchism

A vital factor why Slovens opted for Austria would have been Austria's pledge to protect the minority's rights, passed by the provincial assembly in Klagenfurt in September 1920.

However, as early as 25 November 1920, Arthur Lemisch, the head of the province's provisional government, publicly advocated in the provincial assembly for Carinthian Slovenians to be Germanised within a generation.

The nationalist sentiment in Austria only grew between both world wars, resulting in further assimilation of Carinthian Slovenians. It was not until 1955 that they had their rights guaranteed in the Austrian State Treaty but they are yet to fully enjoy them.

Rahten and Knight, a historian from University College London who has studied the fate of Carinthian Slovenians, have talked to the STA and APA about the dark period in the wake of the plebiscite, about revanchism, persecution and scaremongering.

The Slovenians who voted for Austria were expected to assimilate, become German, while the others had to be induced to move south through a mixture of "pressure, persuasion and structural coercion", says Knight.

There were also opposing forces as for example in Social Democracy, "but by and large, Carinthian politics was also aimed at intolerance, exclusion and ethnic homogenization", although Knight does not see that as something distinctly Carintihan.

"The plebiscite definitely made the tensions only worse and it took decades, through change of generations, for those first months of revanchism to be gradually and slowly put behind," Rahten says.

He notes physical assaults on people accused to have voted for Yugoslavia, even if they may have not, arson attacks on the homes of Slovenian patriots, and the perpetrators going punished.

Before the plebiscite, Carinthian officials had been promising that no one would be hurt, that everyone would enjoy equal rights, that Slovenians would be better off than in the old Austria, but just the opposite happened.

"The promises were soon broken. What followed soon after can simply be called revanchism (...) which led to the Slovene elite being driven out of Carinthia," says Rahten, noting that an estimated 3,000 refugees fled Carinthia after the plebiscite.

At the same time, "the political impotence when it came to protection of the Slovene minority's rights in Carinthia was offset by very harsh measures taken against the Germans who were left in Yugoslav Slovenia", such as forced Slovenisation of German schools.

Centenary celebrations in a buoyant mood

The relationship between the majority and minority in Austrian Carinthia had begun to mend only after Slovenia declared independence in 1991 where Austria played a key role in the country's international recognition.

Like in the case of the Slovenian minority in Italy, the atmosphere for the minority in Carinthia improved further after Slovenia joined the EU in 2004 and the Schengen area three years later.

Knight, noting that the centenary celebrations appear to have taken a different course after neglect of the Slovenian minority and its language in the past, believes the main emphasis of commemoration of 1920 should be on honouring the promise made publicly on the eve of the vote, that is to preserve the minority's unique identity.

This autumn will see the launch of a brand-new sustainable food retail and travel brand, CULTISAN. A digital and mobile platform on a mission to enable a global audience to discover, buy, learn from, travel to, meet and eat with the world’s best farmers and makers, curated by the chefs who love them, driving a new sustainable global food economy.

The brains behind Cultisan is British chef, restaurateur and food campaigner Jason Hartley, now based in Slovenia, who aims to give a voice to the hundreds of farmers, growers and producers he has met around the world throughout his career. Cultisan was inspired by his deep belief that ethical farming that is kind to the land and animals is the only sustainable way to produce delicious food, and the realisation that there are 570 million small scale and family-run farms in the world that still feed 70% of the planet on a daily basis.

Jason says, “This is about making it convenient for people to eat local, anywhere. I want people to discover and buy from the world’s greatest farmers and producers as easily as they buy from supermarkets, it’s about championing the cheesemakers, curers, fermenters, millers, charcutiers, oil and vinegar makers and more. This is about a new fair food system ensuring the survival of craft, knowledge and talent of generations of farmers, and about celebrating the innovators and creators of the food world, making sure they’re still here for future generations.”

Cultisan is a membership platform and anyone can become a member (further details below). The crowdfunding campaign will be launched on Wednesday 23^rd September and will run for one month before the official launch in November.

There will be no easier way to curate a shopping basket than with Cultisan. At its core lies the principle of not charging farmers, makers or producers any money to be listed on the platform and ensuring they are paid a fair price for their produce. By purely seeking out the very best in the world, with the help of leading chefs, Cultisan is making ‘eating local, globally’ a reality.

Set to be the world’s largest directory, the farms are chosen by the Cultisan team and a handpicked group of chefs predominantly in Europe, but the team already has plans to grow into other continents in 2021. These chefs have the inside track to the very best farms, suppliers, vineyards, growers and more, and Cultisan is bringing this to the consumer for the first time.

Cultisan will provide a global platform to smaller, more remote artisans such as Andrew Gilhespy at Fresh Flour in Devon, who works closely with a network of local organic farmers to grow heritage grains which are milled using a traditional stone ground method and turned into exquisite quality flour. They also champion producers who are growing their business without compromise, such as Northern Irish husband and wife team Richard and Leona Kane whose Broighter Gold rapeseed oil is some of the purest across the whole United Kingdom.

Across Europe, other unique growers, producers and farmers will be given an online platform on Cultisan’s app and website including a multitude of organic vineyards and olive groves throughout Italy. Closer to home for Jason, undiscovered Slovenian producers will be accessible to a wider market, including goat farmer, Peter Gorišek whose small batch goat’s cheese is stuffed with Istrian truffle and other more modern and innovative producers such as David Lesar’s biodynamic salami.

Cultisan has created local hubs on farms in regions across Europe and aggregates local produce before sending it to its logistic and fulfilment centres where it is packed and shipped to the consumer. Cultisan is dedicated to creating as sustainable a supply chain as possible, never shipping fresh food across borders and only moving foods between countries if a product offers something different and appealing to a consumer in that market.

Cultisan is enabling the public to shop, have delivered to their door and eat the very best produce local to them, and from further-afield. Cultisan will also offer unique food adventures that will make it possible for people to travel, meet, learn and eat with the finest farmers, makers and chefs whilst exploring new culinary cultures.

STA, 11 September 2020 - The legendary Slovenian band Laibach will perform at Ljubljana Castle for the first time ever to celebrate its 40th anniversary. The organisers had to reduce the capacity of the courtyard to the allowed 500 visitors due to Covid-19 safety measures, so the band added an extra concert on Saturday, which was also sold out.

According to the Ljubljana Castle website, the Laibach concert was planned as the opening event of the Dragon Festival, a traditional three-day event on the castle hill. Due to the current situation, most of the planned programme had to be cancelled or postponed to 2021. However, the Laibach concert marking the 40th anniversary of the band will go through as planned.

Laibach is one of the most famous and recognized Slovenian bands, well established on the international alternative or independent music scene. In its musical expression, Laibach combines different genres, from an experimental industrial sound to symphonic "militant" classicism and electronic music, the organisers wrote.

Laibach is the principal founder of the retro-avant-garde art movement in Slovenia, along with other groups from the art movement known as Neue Slowenische Kunst. Since its beginnings, the band has been creatively combining music with other media at live performances.

"Due to their uncompromising artistic attitude, as well as penetrating analysis of the political ideology of totalitarianism, Laibach had faced many difficulties, and between 1983 and 1987 the band was officially banned in Yugoslavia and Slovenia," the organisers recalled.

Ticket holders will also have access to a limited series of calendars for 2021 with 12 illustrations of the band members intertwined with photographs of Ljubljana Castle.